Wednesday, October 16, 2013

One Project: Many Themes by Dr. Santosh Kumar Rai and Dr.Shalin Jain, S.G.T.B. Khalsa College.


Dr. Santosh Kumar Rai and Dr.Shalin Jain, S.G.T.B. Khalsa College

Abstract

The Foundation Course in ‘Indian History and Culture’ moves around three historical themes i.e. habitats, transitions and hierarchies. This paper incorporates the basic premises for practicing  interdisciplinarity through themes such as environment, gender and culture.
 
The Challenge: We propose selecting a single project and using an interdisciplinary approach to  address topics in  all the Foundation Courses.
 

  PROJECT THEME-I: CRAFT COMMUNITIES

 Study of marginalized communities such as  the handloom weavers of Benaras, gadia lohars (ironsmith) or banjaras of Rajasthan could open multiple possibilities for project work.

1.      Language, Literature, and Creativity –I (Hindi /MIL /Sanskrit /Arabic /Persian / Indian Literature) Project Work

2.      Language, Literature, and Creativity –II (English) Project Work

These language based Foundation Courses could focus on the shift of literary notions about the image handloom weavers through study of Kabir, Hazari Prasad Dwivedi and Abdul Bismillah.

For example:
a.      Vani of Kabir-
Hum sut neet tanhi tana,janeu kant tumhare I
                        Tum to ved padhhu,phir bhi sab karma niskarma hamaare  II
 
b.      Hazari  Prasad Dwivedi, in Kabir
Shayad hi kisi anya jati mein apni vartmaan samajik maryada ke vishay mein aisa teevr asantosh ho jaisa ki vayanjivi jatiyon mein paya jata hein

c.       Abdul Bismillah in Jhini Jhini Bini Chadariya
Who except the master weaver (Grihasta) in this world is the supporter of a poor weaver?
 

3.      Information Technology Project Work


a.       Product/Design Development
                                       i.      Tie and dye,
                                     ii.      Chikan and styles,
                                   iii.      Neck design,
                                   iv.      Sleeve design,
b.      Launching of common web portal
c.       Capacity Building/Skill up-gradation programme for weavers
d.      Analysis of present weaving technology and finding better technology available for weaving
e.       Publicity campaign for Brand Equity of Banaras

 

4.      Business, Entrepreneurship, and Management Project Work


a.     Investigate the demand-supply, marketing strategy, management of financial resources and capital investment.
b.     Export Procedure and Methodology.
c.      Investigate the changing occupational structure and economic profile of the Handloom Industry-
                                      i.      Ordinary Weaver,
                                    ii.      Master Weaver
                                  iii.      Kothidar/Gaddidar

 

5.      Governance and Citizenship Project Work


    Role of state and citizenship rights of the weavers could be studied through-

a.       Weavers’ Cooperatives Societies
b.      Government Weaving Training Schools
c.       Loans from Banks
d.      Cases of death due to Hunger
e.       Child Labour
f.       Social Oppression, and role of NGOs
g.      Government Health Schemes

 

6.    Philosophy, Psychology, Communication and Life Skills

  1. Background of economic instability, nutritional deficiency,  pressure of debts influencing working efficiency, marginalization, increasing illiteracy, suicidal tendencies and gender inequality in the context of the craft communities.
  2.   Even then,  how the communication and life skills of the craft are  passed on generation after generation and the communities have maintained the craft skill. This deserves to be analyzed by the students.

 

7.      Geographic and Socio-Economic Diversity

Weaving hubs in Madanpuras of Ibrahimpur, Mubarakpur, Mau, Benaras, Calcutta, Bombay,Malegaon and Bhivandi show an earnest desire on the part of the migrant weavers’ population to recreate and reproduce the locality of the homes left behind.
a.         Demographic patterns of textile workers in new  settlements.
b.            Occupational migration and the urban market.
c.             Linguistic style and rituals.

 8.      Science and Life


Analyse shifts in the life skills of the craft communities through-
a.               Shift from pandloom to power loom
b.              Shift from hand spun yarn to machine made yarn
c.               Dyeing technique
d.              Bleaching technique
e.               Beaming technique
f.               Sizing of  the yarn 

9.      Indian History and Culture


The terms cloth, handloom and weavers largely denote  three meanings in Indian history-
i.        Ancient Indian history- Export to European and Asian Markets for earning gold and consequent migration of weavers.
ii.      Medieval Indian history-Royal Karkhanas and Kabir’s  vani.
iii.    Modern Indian history-Experience of de-industrialization due to European colonialism.
 
       Students without formal training in History should be encouraged to develop following ideas -
a.       Study of caste cum occupational groups with reference to Muslim Ajlaf  or Hindu Dalit weavers
b.       Process of  community formation.
c.       Use of the family labour creating invisible labour forms; women and children perform secondary works but never get wages in this household/ cottage industry
d.      Occupational shifts from household to karkhana created new hierarchies of labour.

10.  Building Mathematical Ability

Data Analysis for the following areas is required-
a.         Quantity of yarn consumption
b.        Types of products
c.         Age groups among weavers,
d.        Sex ratio of skilled and unskilled weavers,
e.         Rural-urban ratio
f.         Various sectors of industry,
g.        Wages
h.        Literacy rate,
i.          Work participation ratio

11.  Environment and Public Health

In their dirty and congested combination of working and residential areas, weavers spend  long hours of working on pit-looms  inside damp and ill ventilated rooms thus they develop diseases such as:
a. Tuberculosis (due to dust of handloom khaddi)
b. Diarrhea
c. Aching-joints     
d. Rheumatic diseases
e. Digestive/respiratory disorders
f. Impairment of eyesight
g. Low back pain

In Abdul Bismillah’s Jhini Jhini Bini Chadariya  one character Aleemun dies of Tuberculosis and the other Rehana falls victim to illiteracy, poverty and superstitions when her epileptic seizures are treated through prayers or witchcraft. 
                                                                                    ***

PROJECT THEME-II:  RELIGIOUS Processions in Delhi

                                                            
Fairs and Festivals are an  integral  part of cultural life. In recent times religious processions have emerged as strong symbols of expression of community affiliated  cultural sensibilities of the urban people. In Delhi, processions on occasions such as Dusshera, Durga Puja, Hanuman Jayanti, Id-i-Milad-i-Nabi, Muharram, Guru Nanak Prakash Utsav, and martyrdom day of Guru Tegh Bahadur, Jain Rath Yatras and Valmiki Jayanti  or the Republic Day parade are emerging as people’s desire  to connect to their community and nation in a larger. These occasions are  the process of identity formation. A study  of these religious processions could  give students a multidisciplinary approach to work on their projects.

1.   Language, Literature, and Creativity –I

      (Hindi /MIL /Sanskrit /Arabic /Persian / Indian Literature)

2.   Language, Literature, and Creativity –II (English)

Students of literature can collect and analyze available literature on  these processions:
  1.  Newspaper reports and popular literature could be studied for comparison of literary narratives regarding these religious processions.
  2. How myths are created and identities are formed is an issue which students of literature could discuss through interdisciplinary approaches  as they will also be simultaneously dealing with Foundation Course on ‘Indian History and Culture’

3.      Business, Entrepreneurship, and Management

a.       Organization and management of such events.
b.      Money and donations involved in their Organization.
c.       Traffic management.
d.      Comparison between various events.
e.       Business created for vendors.
f.       Economics of these processions.

4.      Governance and Citizenship

a.       Role of the State agencies and the process of documentation in organizing  these processions
b.      Law and  order issues
c.       Traffic Control
d.      Water and Energy Management

5.      Philosophy, Psychology, Communication and Life Skills

a.       Psychology of the participants.
b.      Sense of the community formation.
c.       Space for individuals.
d.      Propaganda associated with these processions.
e.       Invention of traditions through imagining the myths.

6.  Geographic and Socio-Economic Diversity

                   a.       Study of the socio-economic background of the processionists.
                   b.      In which part or social group of the city are such trends more dominant?
                   c.       Composite cultural trends and tensions due to these processions.

7.      Indian History and Culture

a.       History, Tradition and Legends associated with these Religious Processions
b.       Pre-Colonial, Colonial and Post Colonial Phenomenon.
c.       Largely Urban scenario because rural nuances are mostly expressed through fairs.
d.      Role and participation of females as most of the Religious Processions   celebrates masculinity.
e.      Process of Identity formation.
 

8.  Building Mathematical Ability

a.       Data processing and comparison
b.      Procession wise average number of the participants.
c.       Required human resources.
d.      Gender ratio.
e.       Age ratio.
f.       Numerical popularity of the processions to establish demographic change.
g.      Importance and length of route taken by the procession.

9.      Environment and Public Health

a.       Hygiene and cleanliness are critical  issues during these processions.
b.      Use of plastic items
c.       Consequences of the immersion of idols  in the Yamuna river.
d.    Noise Pollution.

                                                        ***